Since its introduction, the Alesis 3630 Compressor™ has become the most popular dynamics processor ever made.
The reason is easy to understand: it provides two independent full-featured compressor/ limiters in one rack space while offering excellent sonic quality for any application from studio recording to live sound or broadcast.The 3630 offers Ratio, Threshold, Attack and Decay controls to customize its compression response for even the toughest signals.
You can also choose between RMS and Peak compression styles, plus Hard and Soft Knee dynamic curves for every application from subtle gain control to in-your-face punch. As an independent dual-channel compressor, the 3630 offers separate controls for two different source signals. Plus, two fully independent gates with threshold and rate controls allow you to easily and efficiently stifle unwanted ambient noise.
Other advanced dynamics processing features such as precise signal metering, a side chain for keying or ducking
effects and stereo linkable operation make the 3630 the most powerful compressor in its class.
DBX 266XL
Most compressor/gates provide less than musical compression, coupled with gating that swallows transients—or closes early, cutting off decay and reverb tails. The superb engineering in the 266XL ensures that both its compression and gating provide versatility and excellent sonic performance in situations where other compressor/gates typically produce undesirable processing artifacts.
When using the 266XL's Auto Dynamic™ Attack and Release controls, artists and engineers will find that the center settings deliver classic dbx compression, while the full control range produces voicing's that extend from slow “leveling” to aggressive “peak” limiting.
The Auto Dynamic™ circuitry continuously adjusts the actual attack and release times to optimally match the program material. Since users aren't restricted to using the Attack and Release controls only in “peak” operation, they can tailor the response of the 266XL for individual tracks, mixed program material, special effects or system protection. As a result, production studios can use the versatile 266XL to replace multiple “single-purpose” limiters while sound reinforcement users can standardize on the 266XL for all of their applications.
The 266XL's advanced gate circuitry uses a completely new, program-dependent timing algorithm to produce ultra-smooth release characteristics—even with complex signals, such as voice or reverb decays. DbX engineers went on to take advantage of the wide dynamic range and high precision of the dbx® VCA to design in an extra-wide threshold range and ensure top gating performance for each application.
Separate precision LED displays for gain reduction, compression threshold and gate threshold allow quick, accurate set-up, while the 266XL's intuitive operation lets users easily smooth uneven levels, add sustain to guitars, squash drums or tighten up mixes. In Stereo couple mode, the Channel 1 controls become Master controls, and Channel 2 follows precisely to ensure a rock solid stereo image—even with high amounts of compression. Professionals and newcomers will find that the 266XL sets up rapidly and musically the first time it is used, and every time thereafter.
Introducing the world's first 24-track, 24-bit/96kHz hard disk recorders designed to fit comfortably into any standard ADAT environment - and match ADAT's legendary performance and affordability.
With their patent-pending method of writing to the hard drive, HD24 and HD24XR are the first hard disk recorders built from the ground up exclusively for the purpose of recording music instead of data - resulting in remarkable stability and performance. And yet, thanks to their use of standard, low-cost IDE computer drives, the recording media costs no more than traditional ADAT tape on a per track basis.
Two hot-swappable media bays provide convenient access to the recording drives, and allow the user to backup data in just minutes. You can edit tracks internally or easily transfer to computer via built-in Ethernet. They're the only HD recorders on the market with standard ADAT Optical and ADAT Sync, enabling them to work efficiently with existing systems. And they offer the same exceptional user-friendly interface ADAT users have come to expect.
Alesis reinvents digital recording. Again.
LEXICON MPX 200
The MPX 200 is a true stereo, dual channel processor. It combines the best of the MPX 100 with several new features providing an advanced level of operation. It includes 24-bit internal processing, S/PDIF input and output, and Lexicon's exclusive Lexichip™ engine. Add to this 24-bit A/D-D/A, a new digital compressor, extensive front panel parameter LED's, internal power supply, and an expanded User Bank capable of storing 64 user programs. It offers 240 presets with classic Lexicon reverb, as well as Chorus, up to 5.5 second Delay, Detune, Echo, Flange, Pitch, Rotary, and Tremolo. Dual channel processing provides two independent effects in an assortment of configurations including Cascade, Dual Mono, Dual Stereo, and Mono Split.
The digital compressor is available in all 240 presets, simultaneously providing up to two effects and compression. The front panel Adjust knob allows for instant manipulation of critical parameters. As many as four program and four compression parameters are available for each program. Front panel parameter Leeds indicates which parameter is being displayed and adjusted. The front panel also features an easy access compressor button that provides simple control over the presence of the compressor in any program. Audio input, foot switch, the front panel Tap button, an external MIDI controller, or MIDI Program change can control tempo.
The MPX 200 offers a full range of MIDI controls such as Program Change, MIDI bulk dump, and an easy Learn mode that allows MIDI patching of up to five front panel controls. Other features include 3-stage headroom indicators, 4-stage compression indicators, a headphone output, a software selectable MIDI OUT/THRU port, cue program mode, and pushbutton or foot switch selection of dry or muted audio output.
ROKIT Powered Monitors feature several of the key design elements found in KRK's premium models, many of which have become the ''studio standard'' for the world's finest engineers, producers and musicians. Now, you can have that same KRK sound, attention to detail and commitment at a price that makes Rokit Powered a truly uncommon value.
All KRK Rokit Powered Series monitors feature a proprietary signature yellow woofer made of a woven glass aramid composite that delivers a tight low-end response and a soft dome tweeter for natural sounding highs. The drivers are electronically crossed over and are bi-amped for increased efficiency. All of this is housed in an attractive cabinet with radiused corners that reduce edge diffraction resulting in better audio imaging. The rear input panel features phone plug and XLR connectors to accommodate any application.
Drivers: Woofer:8'' & 10" Glass Aramid Composite Woofer
Tweeter:1'' Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4'' TRS - 10k Ohm
Balanced / Unbalanced
Amplification: 140 Watt Dynamic Power Bi-amp
24 dB Octave Filters
Frequency Response: 45Hz - 20kHz
Video Shielding: Yes
High-Quality, Fully Programmable Reverb and Multi effects for Studios and Instrument Rigs
The MidiVerb™ 4 is the perfect effects processor for professional project studios and musicians who require an affordable solution for fully-programmable, high-fidelity effects. Its excellent effects algorithms produce dense, natural reverb, rich chorus, flange, delay, pitch effects and up to three simultaneous multi effects. The MidiVerb 4 offers 18-bit A/D and D/A converters and 24 bit internal processing for a 20Hz-20kHz bandwidth and 90dB dynamic range, making it ideal for digital recording. Plus, its valuable Auto Level Sensing™ feature can instantly set the optimum input levels. a great time-saver. MidiVerb 4's thirty-two effects algorithms give you a complete arsenal of fully programmable effects, many using true stereo parallel processing. You can take advantage of the 256 powerful programs with 128 spaces for user-created effects. With its easy-to-use graphic interface, programming your own effects is a snap. And by using MidiVerb 4's MIDI controller routing and assignable foot switch input, you'll have complete creative control over every aspect of your sound.
The Soundcraft Venue is a 24 channel mixing desk, 22 mono channels & 2 stereo channels, The Venue is a fully modular 8 bus mixer providing unique versatility for live mixing. The console provides full 8 bus routing and six auxiliary sends and offers the option of four mute groups, 4 band EQ With Swept Hi & Lo Mids
Yamaha SPX990 Digital Multi-Effects Processor
The SPX990 utilizes the latest 20-bit analog-to-digital and digital-to-analog conversion technology --sampling at 44.1kHz. Frequency response extends all the way from 20 Hz to 20 kHz; dynamic range is an extraordinary 106dB; noise and distortion are negligible.
Stereo Configuration with Balanced Inputs and Outputs
A true 2-in/2-out stereo configuration that allows stereo sources to be processed without disrupting the original stereo image. Stereo inputs and outputs are all electronically balanced, with XLR and TRS phone jack connectors. Preset, Internal, and Card Memory
180 memory locations are "on board". 80 of these are read-only memory. The remaining 100 are writable memory locations. Plug-in memory cards hold an extra 100 effect programs each.
3-stage Effect Configuration. In addition to the main effects, the SPX990 provides programmable pre and post effects that can be used to refine and polish your sound.
In-depth Programming Power
The SPX990 has 4 programmable pre effects, 36 programmable main effects, and 3 programmable post effects.
The SSSnake MC246 Multi core 24/6, 30m, with Stage box (24 Extra Splitting tails)
BEHRINGER
XR4400 MULTIGATE PRO ( x2, 8 Gates in Total)
BEHRINGER XR4400 MULTIGATE PRO, 4-channel Expander/Gate, Link-function (e.g. Stereo Gate), Hold and Release controllable, IRC-circuit, param. Side chain filter, Gain Reduction/Threshold VU, bal. XLR/Jack I/O,
